This text provides the tools for designers to understand the differences across history and across the contemporary world and how to interpret history to complete their design projects successfully. This in-depth history of the interior design of ocean liners surveys the transient history of interior design in relation to the development of passenger shipping, from commissioning by the line owners, methods and sources for the original creation of designs through to its construction, use and influence.
It is a short-lived branch of architecture and design, lasting an average of fifteen years. As the design and taste mirrors and reinforces cultural assumptions about national identity, gender, class and race, not only did the interiors of ocean going liners reflect the changing hierarchies of society and shifting patterns in globalization, but the glamour and styling of the liners were reflected back into the design of interiors on land.
Combining design history, architecture history, material and visual cultures, Designing Liners is a richly multidisciplinary work for those studying or researching this application of interior design. The House in Good Taste is a classic and iconic book in the field of interior design.
It was written by Elsie de Wolfe, who is often described as the first lady of interior decoration. She rejected the dark interior color schemes of Victorian interiors and instead opted for a black and white color scheme with clean lines and simple ornamentation. She was close friends with architect Stanford White and worked for clients like the Vanderbilt family.
At last, in a single volume, here is a sweeping, historical survey of interior design, decoration, and furniture. Starting around B. Unique in its comprehensive approach, this book is a much needed addition to the existing literature on the history of interior design.
Combined and edited version of 2 separately published works: Architecture and interior design through the 18th century, and Architecture and interior design from the 19th century. The editors have delved into the archives and culled years of rich material covering a range of subjects. Exceptionally comprehensive, this single- source reference allows readers to compare and contrast architecture, interior design, interior architectural features, design details, motifs, furniture, space planning, color, lighting, textiles, interior surface treatments, and decorative accessories through many centuries--from antiquity to the 18th century--from the many regions of the world.
Additionally, it includes later interpretations of architecture, interiors, and furniture to illustrate the evolution of each stylistic influence. Each period is placed within a conceptual, cultural, historical, and social context, and the broad range of examples depicts high-style and domestic structures and furnishings that reflect residential, commercial, and institutional projects.
The volume is extensively illustrated and features many illustrations diagrammed with explanatory notes highlighting specific design features. Cultural Precedents. Oriental China, Japan.
Antiquity Egypt, Greece, Rome. For interior design practitioners, furniture designers, design consultants, design manufacturers, and theater and film set designers, as well as those in the related fields of art history, architecture, material culture, museum studies, and history. Also of interest to historical societies, preservation groups, crafts people, design journalists, and the lay person with interest in design. This book explores the origins of interior design in nineteenth-century France.
It shows how new, modern techniques of image-making and reproduction enabled the still-unnamed profession of the interior designer to take shape. An abundantly illustrated overview of modern design across continents and cultures, highlighting key movements and design traditions.
Dictionary of Interior Design is an illustrated reference for residential and commercial interior design terms. The long-awaited insider's look at one of the design milestones of the twenty-first century: Michael S Smith's celebrated decoration of the Obama White House, featuring a foreword by Michelle Obama.
Not since Jacqueline Kennedy's iconic work on the White House has a designer of Michael Smith's stature been commissioned to bring a new design spirit to the mansion. Through extensive photography, behind-the-scenes stories, and rich archival material, the book places the Obama White House within the context of the building's storied past and its evolution over the past two centuries.
The book beautifully documents the process of updating the country's most symbolic residence, revealing how Smith's collaboration on the decoration, showcasing of artworks, and style of entertaining reflected the youthful spirit of the First Family and their vision of a more progressive, inclusive American society. Ultimately, this book will serve as both a historical document and a voyeur's delight, capturing a specific moment in time for the White House, the Obamas, and the American experience.
Interior Provocations: History, Theory, and Practice of Autonomous Interiors addresses the broad cultural, historical, and theoretical implications of interiors beyond their conventionally defined architectural boundaries. With provocative contributions from leading and emerging historians, theorists, and design practitioners, the book is rooted in new scholarship that expands traditional relationships between architecture and interiors and that reflects the latest theoretical developments in the fields of interior design history and practice.
It is an essential read for researchers, practitioners, and students of interior design at all levels. Interior Design Masters contains biographical entries of people who have significantly impacted design. They are the people, historical and contemporary, that students and practitioners should know.
Coverage starts in the late Renaissance, with a focus on the twentieth and twenty-first centuries. The book has five sections, with the entries alphabetical in each, so it can serve as a history textbook and a reference guide. The seventeeth- and eighteenth-century section covers figures from Thomas Chippendale to Horace Walpole. The nineteenth-century section includes William Morris and Candace Wheeler.
The final contemporary section includes Ron Arad and the Bouroullec brothers. New York: Fairchild Books. Gordon, Beverly. Textiles the Whole Story, The Fairchild Dictionary of Interior Design , 2nd ed. Textile Print Design. New York: Fairchild Publications, New York: Fairchild Books , The Four Books of Architecture.
New York: Dover Publications Inc. Pegler, Martin M. The Dictionary of Interior Design. Pevsner, Nikolaus. Studies in Art, Architecture and Design. The Fairchild Books division of textbooks and educational resources for students of fashion, merchandising, retail, and interior design was sold in to the U.
New York: Basic Books , Dictionary of Interior Design. New York: Fairchild , Journal of Interior Design 35 1 : 1— Dickinson, Joan I. Marsden, and Marilyn A.
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